Fiction — March 27, 2012 13:26 — 1 Comment

Safety Of Newborn Children – Kelly Schrock

“The Safety of Newborn children Law”, the screen says, “Offers parents a safe place to leave a newborn infant.”

Confidentially.

Without fear of punishment.

She rubs the fading bruise on her shoulder. It’s turned yellow-green in the last week. Soon it will dissipate only into memory. Eventually it will fade even from that sinuous, shifting world. Replaced by something brighter, more immediate.

The child tugs in her belly and stretches its tiny knees. Feet thump and run in her insides. She imagines a dimpled little toe poking through her belly button, a leg uncurling behind it, and a wet, tiny body behind that. The child would walk, impossibly, on flat, fat feet down her swollen thighs and out the door. To a fire station, a hospital, to bequeath itself into the care of a “Qualified Person.”

Namely, not her.

She remembers her last visit to a Qualified Person.

The stark white curtains and sheets, the blinding shame. Concerned blue eyes, furrowed brows. Her own insistence that no, nothing was wrong, she tried to imitate the look of dumb not-knowing. Eyes blank and wide open, a smile small enough to hide her chipped tooth. The one she can’t afford to fix.

She knew what her record said on the screen: cracked ribs six months ago, a broken foot before that. Too many injuries too close together.  Concern faded into impatience on the doctor’s face.  With a quick wave of the hand he dismissed the conversation, “Ok, put your feet in the stirrups.  We’re looking at your baby today.”

She feels him moving in the other room. Grumbling at the tv. Opening a beer.

Rapture out-shone pain for just one moment when she saw the black and white shape on the monitor, “That’s your baby. There’s the head, the arms.” Wa-wump, wa-wump, “That’s her heart beat.”

And she smiled, showing the chipped tooth. Her heart leapt into her throat, choking out the air and she breathed, “That’s her heart beat.”

In bold black letters on the computer screen, “Unharmed” is the guarantee of anonymity and immunity. Unharmed.

He coughs and his belt jingles open. There’s the sound of piss arching into the porcelain bowl.

Tiny feet kick at bladder, crashing into every organ within reach. Tantrum in-utero.

He’s shouting at the tv again. His voice echoes and reverberates through the apartment. Children scream and play outside, hollering in the late-afternoon light.

Bio:

As someone born and raised in Washington, I've learned to look to Seattle as the cultural Mecca of this green state. Living in the outskirts of Vancouver, that wasteland of culture, lent a reverent, almost desperate edge to my gaze northward. I could run with a pack like hungry wolves across the river to Portland, to pick clean the carcasses of their culture, but it's never quite the same. The wide-open country eyes, the act of stopping to listen to the rambling homeless, the wrong fashion always gave me away as resident of "Vantucky."

Seattle, with all its swooping, entangled interstate exits and bridges is even more intimidating than friendly, quirky Portland. And yet, Seattle is the crowning glory of my own state. To be accepted, noticed by the city of Seattle, where I threw marbles from upper story windows, where I watched frat boys puke into garbage cans while I waited for the bus, where I wandered through crowded streets thinking, "I'm glad I'm not on acid right now." Seattle: home of grunge, endless overcast skies, and that asshole I dated in college.

My clothes still aren't fashionable, I have to try really hard not to stop and listen to the rambling homeless, and my eyes are still wide open and full of open country fields. Lidia Yuknavitch came to speak to my writing class one night. She told us that finding writers was, for her, like finding her long-lost tribe.

I'm still searching for my tribe.

Seattle, you cultural monarch, please accept this writer beating her chest, this writer who makes eye contact with people on the bus. Or at least listen for just a moment to the story I want to tell you about a pregnant woman who wants to do the best for her unborn child.

One Comment

  1. K.L. Jeffrey says:

    Haunting and brilliant.

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The answer isn't poetry, but rather language

- Richard Kenney