Poetry — May 9, 2011 14:46 — 1 Comment

Reluctant Love Song – Francesc Franch

Inside the house there was a certain cretin
I’d known as a boy, smoking his pipe
By the cracked window that looked on the rain,
And a fat cat who pranced along the keys
Of a piano with three broken molars.

Amid a fragrance of pretentious fare,
Tiny pastries and grapes
In ethereal blue sauce, sautéed à l’amour fou,
Blossomed a dense night, so wet
And unbearably sad, so remote
And nostalgic and crowded,
And then, up ahead,
There was someone
Who resembled you,

Sitting next
To a concierge who wrote eclogues,
A harp player with acne,
And a redhead I’d met in the nineties,
All cleavage
And winks, looking drunk and no longer
The looker she’d been.
There were, such a prodigy, whispers
Of whimpering breezes that whirled
In the twin lunar swing of your chest,
A spasm of memory and impudent
Relish, that’s all, and a couple
Who fought in the hall, and she told him:
You’re really such a
A son of a bitch.

In a cloud of smoke
Stood a butcher
With delicate hands
And a small, squeaky voice,
A playwright with dandruff
Who wouldn’t shut up,
And an amnesic girl
With intense, auburn eyes
Who, less often than not, is my accomplice
One minute at a time.
That wasn’t our night,
So that was that.

On the sofa, ignoring the commotion,
A bald man read Emerson
With rapt attention:
Consistency, he said as he sneezed
On his plate, is the hobgoblin
Of a small mind.
Ah, yes, yes, replied I,
What an evening, and say, by the way,
Wipe your nose, my good man.
Next to him sat
A sweaty office clerk
Who munched on fried tofu
With chives.

There were fluttering trails
Of rose petals and butterflies
Marking the way
To the bathroom.
There were splashes of bitters and murmurs
That weren’t expectant,
A poor, trampled daisy,
And a stripper with bunions
Who hated the rain
But thought highly of Vivaldi.
There were two flies
On the lamp, a sharp cackle,
A guffaw, and a cell phone that twittered
The despondent appeals
Of a cuckold.

There was also yours truly, wide-eyed,
Pushing through
As best I could, and stumbling
Morosely, and then
I got off the linoleum
And feared
That I was good and lost,
Lost for good and falling
Reluctantly, that is,
Or else longing to fall
In love with you, if only,
And that’s the rub,
I’d known where you were.

Bio:

A native of Spain, Francesc Franch came to the United States at the age of seventeen and has authored three novels: Amelia Asleep in the Darkness (Pagès Editors, Spain, 2011), Gray City Under the Rain (Editorial Milenio, Spain, 2007), and A Hidden Portrait (Editorial Milenio, Spain, 2005). The first was written in Catalan, while the latter two were written in Spanish. Francesc has also written A Catalan Symbolist: Selected Poems of Marius Torres (Peter Lang Publishing, 1992). More work has appeared or is forthcoming in Compass Rose, Front Range Review, Fourteen Hills, G.W. Review, Hiram Poetry Review, Hospital Drive Magazine, Natural Bridge, The Old Red Kimono, Phantasmagoria, Quercus Review, Quiddity Literary Journal, Rio Grande Review, Sanskrit, and Spoon River Poetry Review.

One Comment

  1. Ikijibiki says:

    Such an assemblage of vividly sketched personages entering and exiting in a dance choreographed to an exquisite undersong of luckless love . “In a cloud of smoke/Stood a butcher/With delicate hands” in particular piques my admiration and envy. Where may I read more of your work?

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What am I?

Bioluminescent eye
That sees by the shine
Of its own light. Lies

Blind me. I am the seventh human sense
And my stepchild,
Consequence;

Scientists can't find me.

Januswise I make us men;
Glamour
Was my image then—

Remind me:

The awful fall up off all fours
From the forest
To the hours…

Tick, Tock: Divine me.

-- Richard Kenney